Fil:Fredegund by the Deathbed of Bishop Praetextatus.jpg

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Beskrivelse

Lawrence Alma-Tadema: Fredegund by the Deathbed of Bishop Praetextatus   (Wikidata search (Cirrus search) Wikidata query (SPARQL)  Create new Wikidata item based on this file)
Kunstner
Lawrence Alma-Tadema  (1836–1912)  wikidata:Q240526 q:it:Lawrence Alma-Tadema
 
Lawrence Alma-Tadema
Alternative navn
Lawrence Alma Tadema, Lourens Alma Tadema, Laurens Alma Tadema
Beskrivelse hollandsk-britisk maler, tegner, etser og illustratør
Fødsels-/dødsdato 8. januar 1836 Redigere på wikidata 25. juni 1912 Redigere på wikidata
Føde-/dødssted Dronrijp Wiesbaden
Arbeidsperiode 1851-1912
Arbeidssted
Antwerpen (1852-1865), Leeuwarden (1855), Köln (1861), Pompeii (1863-1864), Paris (1864), Brussel (1865-1870), London (1868, 1870-1912), Egypt (1902-1903)
Autoritetsregister
artist QS:P170,Q240526
Tittel
Fredegund by the Deathbed of Bishop Praetextatus
Objekttype maleri
object_type QS:P31,Q3305213
Beskrivelse
English: The subject of the picture Fredegund by the Deathbed of Bishop Praetextatus about Queen Fredegund, the wife of King Chilperic I, was taken by the artist from the History of the Franks by Gregory of Tours and the Tale of the Merovingians by Augustin Thierry. According to the legend, Fredegund, a former serving girl at Chilperic's court, managed to become first the king's mistress and then, after the death of Queen Galswintha, his wife. Many bloody events that took place in the Merovingian kingdom during the second half of the sixth century are associated with the name of Fredegund. In particular, Praetextatus, who held the office of Bishop of Rouen against the wishes of the queen, was murdered on her orders after the death of Chilperic. This picture brought the artist his first taste of real success. In 1864 it was shown at the Winter Salon in Brussels, where it was greatly praised and purchased for a Salon charity lottery.
Dato 1864
date QS:P571,+1864-00-00T00:00:00Z/9
Medium Olje på panelmedium QS:P186,Q296955;P186,Q106857709,P518,Q861259
Dimensjoner høyde: 65 cm; bredde: 89 cm
dimensions QS:P2048,65U174728
dimensions QS:P2049,89U174728
institution QS:P195,Q4872
Referanser
Kilde/Fotograf http://www.arts-museum.ru
Tillatelse
(Gjenbruk av denne filen)
This is a faithful photographic reproduction of a two-dimensional, public domain work of art. The work of art itself is in the public domain for the following reason:
Public domain

Dette verket er offentlig eiendom i Norge, EU og land der den opphavsrettslige vernetiden etter opphavsmannens død er 100 år eller kortere. Merk at noen land har lengre vernetid.


For å kunne lagres på Commons må verket både være offentlig eiendom i USA og i opphavslandet. Vernetiden kan i noen tilfeller være lengre enn 80 år i USA, så i tillegg til dette merket trengs det et eget merke som forklarer hvorfor verket er offentlig eiendom (public domain) i USA.
The official position taken by the Wikimedia Foundation is that "faithful reproductions of two-dimensional public domain works of art are public domain".
This photographic reproduction is therefore also considered to be in the public domain in the United States. In other jurisdictions, re-use of this content may be restricted; see Reuse of PD-Art photographs for details.

Lisensiering

This is a faithful photographic reproduction of a two-dimensional, public domain work of art. The work of art itself is in the public domain for the following reason:
Public domain

Dette verket er offentlig eiendom i Norge, EU og land der den opphavsrettslige vernetiden etter opphavsmannens død er 70 år eller kortere. Merk at noen land har lengre vernetid.


For å kunne lagres på Commons må verket både være offentlig eiendom i USA og i opphavslandet. Vernetiden kan i noen tilfeller være lengre enn 80 år i USA, så i tillegg til dette merket trengs det et eget merke som forklarer hvorfor verket er offentlig eiendom (public domain) i USA. Note that a few countries have copyright terms longer than 70 years: Mexico has 100 years, Jamaica has 95 years, Colombia has 80 years, and Guatemala and Samoa have 75 years. This image may not be in the public domain in these countries, which moreover do not implement the rule of the shorter term. Honduras has a general copyright term of 75 years, but it does implement the rule of the shorter term. Copyright may extend on works created by French who died for France in World War II (more information), Russians who served in the Eastern Front of World War II (known as the Great Patriotic War in Russia) and posthumously rehabilitated victims of Soviet repressions (more information).

The official position taken by the Wikimedia Foundation is that "faithful reproductions of two-dimensional public domain works of art are public domain".
This photographic reproduction is therefore also considered to be in the public domain in the United States. In other jurisdictions, re-use of this content may be restricted; see Reuse of PD-Art photographs for details.
{{PD-Art}} template without license parameter: please specify why the underlying work is public domain in both the source country and the United States
(Usage: {{PD-Art|1=|deathyear=''year of author's death''|country=''source country''}}, where parameter 1= can be PD-old-auto, PD-old-auto-expired, PD-old-auto-1996, PD-old-100 or similar. See Commons:Multi-license copyright tags for more information.)

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Fredegund by the Deathbed of Bishop Praetextatus (1864). Oil on panel, 65 x 89 cm (25.5 x 35 in). Pushkin Museum, Moscow

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