Anthonis van Dyck: Madonna and Child
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Kunstner |
Anthonis van Dyck
(1599–1641) |
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Alternative navn |
Anthony van Dyck, Anthonie van Dyck, Anton van Dijck, Antonis van Deik, Antoon van Dijk, Anthonis van Dyck, Antoine van Dyck |
Beskrivelse |
flamsk maler, tegner og grafiker |
Fødsels-/dødsdato |
22. mars 1599 |
9. desember 1641 |
Føde-/dødssted |
Antwerpen |
Blackfriars, London |
Arbeidssted |
Antwerpen (1609–1610, 1615–1620), London (1620-mars 1621), Zaventem (1621), Genova (oktober 1621-februar 1622), Roma (februar 1622-juli 1622), Firenze (1622), Bologna (1622), Venezia (1622), Roma (1623), Mantova (1623), Genova (1623), Palermo (1623–1624), Genova (1624–1625), Antwerpen (juli 1627), London (1627-mars 1628), Antwerpen (mars 1628), Haag (1629), Antwerpen (1629–1632), Haarlem (1632), Brussel (1632), London (mai 1632-1634), Antwerpen (1634–1635), Brussel (1634), London (1636–1640), Antwerpen (18. oktober 1640-...), Paris (januar 1641-november 1641), Blackfriars, London (november 1641-9. desember 1641) |
Autoritetsregister |
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artist QS:P170,Q150679 |
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Tittel |
Virgin and Child
label QS:Lit,"Vergine e il Bambino"
label QS:Lhu,"Szűz Mária és a kis Jézus"
label QS:Lcy,"Y Forwyn a'r Plentyn"
label QS:Lpt,"A Virgem com o Menino"
label QS:Lro,"Fecioara cu Pruncul"
label QS:Lja,"聖母子"
label QS:Lpl,"Madonna z Dzieciątkiem"
label QS:Lhe,"הבתולה והילד"
label QS:Lnl,"Maria met kind"
label QS:Les,"La virgen y el Niño"
label QS:Lfr,"Vierge à l'Enfant"
label QS:Lsl,"Devica Marija z otrokom"
label QS:Len,"Virgin and Child"
label QS:Leo,"Dipatrino kun Infano"
label QS:Lmk,"Богородица со малиот Исус"
label QS:Lde,"Die heilige Jungfrau mit dem Kinde" |
Objekttype |
maleri |
Sjanger |
religiøs kunst |
Beskrivelse |
English: This Virgin and Child subtly incorporates traditional allusions to the miraculous. Mary's long, loose hair identifies her as a virgin, alluding to the virgin birth. The palatial column evokes her future reign as Queen of Heaven, while the nakedness of the Christ Child, explicitly a little boy, reminds believers that, miraculously, Christ was fully human and fully God.
Van Dyck worked in the Antwerp studio of Peter Paul Rubens before spending six years in Italy. Once returned, he created a style synthesizing that of Flanders and Italy, producing dramatic, yet elegant religious works such as this Virgin and Child, one of several versions; Van Dyck's touch is most evident here in the Virgin's face and hand. He subsequently became court painter to King Charles I of England, who raised him to the nobility. |
Avbildede personer |
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Dato |
ca. mellom 1630 og 1632 date QS:P571,+1630-00-00T00:00:00Z/8,P1319,+1630-00-00T00:00:00Z/9,P1326,+1632-00-00T00:00:00Z/9,P1480,Q5727902 (barokkenera QS:P2348,Q37853 ) |
Medium |
olje på lerret medium QS:P186,Q296955;P186,Q12321255,P518,Q861259 |
Dimensjoner |
høyde: 126,1 cm; bredde: 114,6 cm dimensions QS:P2048,126.1U174728 dimensions QS:P2049,114.6U174728 |
Samling |
institution QS:P195,Q210081 |
Museumsnummer |
37.234 |
Opphavssted |
London, England, United Kingdom (?) |
Objekthistorikk |
- Duke of Marlborough, Blenheim Palace, until 1886
- Agnew, London, by purchase
- Joseph Ruxton [date and mode of acquisition unknown]
- Sale, Christie's, London, May 21-22, 1898, no. 70
- T. J. Blakeslee, New York [date and mode of acquisition unknown]
- Henry Walters, Baltimore, December 1898, by purchase
- 1931: bequeathed to Walters Art Museum by Henry Walters
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Utstillingshistorikk |
- Christmas Display at the Baltimore Gas and Electric Company. Baltimore Gas and Electric Company, Baltimore. 1966-1967.
- Salute to Belgium, The Walters Art Gallery, Baltimore, 1980
- A Magnificent Age: Masterpieces from the Walters Art Museum, Baltimore. The Nelson-Atkins Museum of Art, Kansas City; Mint Museum of Art, Charlotte; The Walters Art Museum, Baltimore. 2002-2004.
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Opphav |
Acquired by Henry Walters, 1898 |
Referanser |
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Kilde |
Walters Art Museum: Home page Info about artwork |
Tillatelse (Gjenbruk av denne filen) |
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